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Pont-Aven
city of the painters
Welcome to the "valley of willows

bretagne.com www.brittany-bretagne.com
city of the painters - Paul Gauguin - Autoportrait, Christ jaune.
city of the painters - Paul Gauguin - Autoportrait, Christ jaune.
city of the painters - Emile Bernard
city of the painters - Emile Bernard

At the top of the estuary, where the sea air meets the light of the countryside, where, "miraculously", a hundred years ago blew the breath of inspiration. Pont-Aven is a place to see, and it invites you with all its charm, with its shop windows and galleries and with its memories of Gauguin and Emile Bernard.
city of the painters - Pont-aven
city of the painters - Pont-aven
Origins
and history.
At the top of the long estuary which takes the deep waters of the Aven
towards the Ocean, there was first a ford used by the primitive
populations. This was succeeded by a bridge when the Romans built a
network of roads across Armorica. Everything was in place on both banks
for settlement by a small group of people, who could benefit from this
well sheltered meeting place at the junction of the road and the
primitive tidal port. There is another asset which in the
city of the painters - la rivière
city of the painters - la rivière
Early Middle
Ages, would permanently serve the development of the town : the jumble
of rocks, used by monks and local noblement as sites for building
mills, using the natural waterfalls - mills in such large number for
such a constricted place, that Pont-Aven got its first claim to fame :
"Pont-Aven, town of renown, fourteen mills, fifteen houses".
PS : What to see : the harbour, the Théodore Botrel public garden, the traditional head-dresses, the costumes, the old mills, the fine residences (XVIIe et XVIIIe siècles), the bridge, the Xavier Grall promenade (writer-poet 1930-1981), the Aven, the Bois d'Amour (Lover's Wood), the municipal museum, the Chapel of Trémalo (16th century), the church and Calvary of Nizon,the megaliths : Luzuen, Kerguillotou-Kerangosker, the galleries and the shops.


 
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